![]() It's an arguably more impressive feat, especially in a country where tall poppy syndrome thrives. ![]() Whereas Powderfinger had momentum on their side, there's six years dividing Flume's occupation at the top Hottest 100 spot. Most significantly, Flume is the second ever artist to top triple j's annual Hottest 100 twice, and more than two decades since Powderfinger did it back-to-back in 19. Flume also charted at #8 in 2016 with 'Say It' ft.#5 in 2013 with his Chet Faker collab 'Drop The Game'.Not only has the electronic auteur now charted an impressive 17 total tracks in the Hottest 100 since his 2012 debut (21 if you include his remixes of Eiffel 65, Lorde, Disclosure and Hermitude) but he's the only act in the countdown's history to rank a song in every position of the Top 5. He's a heavyweight contender in any year he releases music. Not bad for a guy who got his start using software from a cereal box (but more on that later).įlume – or Harley Streten as the internationally renowned Sydneysider's passport reads – has long seem liked the most likely to pull off this rare feat. But for the second time in his career, the Australian producer has topped triple j's annual music poll – this time for his track 'Say Nothing' featuring MAY-A. As he told Apple Music about his choice of collaborators, “I want to find people who are doing something different and open to working with different sounds and unconventional beats-just open-minded people who have something to say.Flume was already a certified Hottest 100 favourite. Wherever electronic music is right now, you can be sure that whatever Flume is cooking up in his studio is two steps ahead. On the 2019 mixtape Hi This Is Flume, he dusted off his most experimental beats yet while linking up with slowthai, SOPHIE, and JPEGMAFIA. His twisted trap drums and spacious atmospheres proved the perfect foil for vocalists like Vic Mensa, Tove Lo, and Little Dragon, leading to production work for Lorde and Vince Staples. With 2016’s Skin, he showed his growth with trickier beats and more innovative sound-sculpting, without forgetting about the importance of a perfect hook (exhibit A: “Never Be Like You,” with a swoon-worthy topline from the Toronto singer kai). ![]() Those head-nodding beats and hazy effects quickly became staples on chill playlists, but Flume was already lining up his next wave. ![]() The sedate vibe was the flip side of EDM’s peak-time energy, but his slippery synths and ribbon-like vocal edits showed kinship with dubstep a sound many would soon call “future bass” was born. The following year, his self-titled debut album established the outline of his nascent sound, pairing spring-loaded drum programming with dreamily chopped-up samples. A decade later, the deliriously laidback vibe of his debut single, “Sleepless,” got him signed to Australia’s Future Classic. In a way, it did crack a code: To see music’s inner workings laid bare came as a revelation to young Streten. The free gift wasn’t a secret decoder ring, but a CD with rudimentary production software. Streten got his start making music when he was 10 or 11, when his dad bought him a box of cereal. In the process, he helped pioneer a whole new dimension of chill. In the early 2010s, just as main-stage EDM was pushing tempos and decibels into the red, Flume-aka Harley Streten, born in 1991-went in the opposite direction, delving into hip-hop beats and airy synths. Australia is a long way from electronic music’s principal hubs, but don’t tell Flume: When he was just 20 years old, the Sydney producer leveraged his easygoing surfer attitude into single-handedly changing the course of electronic music’s evolution.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |